Skip to content
>> Minna Henriksson
Works
2023 Limits of the State
2023 Genesis
2022 Vastarinta vapaus voitto (Verity Vocation Victory)
2021 Sparks of History
2020 Fake Star
2019 Iasi X-Ray
2019 Art in the Service of the Nation — Or why did Birger Carlstedt reject abstraction in early 1930s?
2019 abstracta (archive about the political nature of the early documentas)
2019 Völkisch and Elitist Roots of Nazism
2019 Case of Hjalmar Linder (bourgeois with a heart)
2019 Kiila / The Wedge – Feminist Archive
2018 abstracta
2018 Repeating Roerich
2017 Scientific illustrations to keep silent about
2017 Solidarity
2015/17 Works on Paper
2016– Nordic Race Science
2016 Valkeat
2016 European Neofascists & the National Bourgeois Democracies
2016 The (singular/symptomatic) case of de Appel
2015 Festival 62
2014 Politiikan taide / The Art of Politics
2013 Follow the Money
2013 Public and privatized – Lenin of Turku and Riga
2013 Lenin of Riga
2013 Tiernapojat
2013 Painting by numbers
2013 Hidden
2012 Sensitometric experiment in Polaroid
2012 Lenin in Aurakatu
2012 Hidden
2011 Communication
2010 Asik olan dogru söyler
2009 Helsinki Map
2009 Belgrade Notes
2008 Ljubljana Notes
2006 Zagreb Notes
2005 Istanbul Map
2003 / 2011 Bunker Research Group
2001 Berlin Drawings
Publications
Bourgeois With a Heart
Fake Star. A Book about an Exhibit in a National Pavilion in the Paris World Exposition 1900
Vuoden 1962 Nuorisofestivaalin Muistityöryhmän Muistikuvia
Art Workers – Material Conditions and Labour Struggles in Contemporary Art Practice
Noise After Babel – Language Unrestrained
Counter-constructivist model (La Fontaine stories for immigrants) paper-film in nine acts
Maps 2005 – 2009
Newspaper about symbols in Georgia
Asik Olan Dogru Söyler
Centrifugal Book of Europe
Contemporary Art and Nationalism – Critical Reader
Texts
Biography
Contact
latham-chrystal-palace
Minna
2018-07-14T17:08:12+03:00
